February complete a little early this time!

I'm not usually ahead of schedule when it comes to these pages. Unfortunately with school and work and everything else in my life, beading isn't a priority. So I'm very happy to have finished this months page BEFORE the end of the month, instead of half way through the next...

To continue with the theme of meditation which I chose for this year, I was inspired by the idea of a zen stone garden. So I went through my collection of tumbled stones, and found 5 which I thought went well together and yet were all unique. I worked on a nice layout between them, traced the placement on the ultrasuede, and started by beading around the forms in colours drawn from the stones.



Once I got to the background, I found that it reminded me of a stream with water flowing around the rocks. I haven't researched, but I seem to remember that it does have something to do with the meaning of the zen garden.

Anyway, I had a lot of fun doing the background, pulling an even broader range of colours, still based of the stones. I also found it rather meditative working this part. Just a side benefit...



I decided, from the beginning, that I had to leave the stones off until the end. It would have been too heavy, for one, and for two, it would have been almost impossible to work around them. So I was very excited to see the finished product. It's just a shame that it's so cloudy here today, and the colours of the stones don't come out so well in the photo.



Now I just have to figure out what to do for next month... :-D

January page completed

This year I decided I wanted to do pages that were completely encrusted (or nearly so) with beading. I made my format much smaller than last year, so I would have time to complete them. Looks like I should have made it even smaller... ;-)

I often enjoy breaking the boundaries of established conventions of artistic practice. In art historical discussions, we often speak of "framing" an identity, a position, an aspect of interpretation. In my artistic practice, I often focus on the artificial division of art and craft, and in having objects going beyond the bounds of the ultrasuede, I am visually breaking the frame imposed by the limit of the piece of fabric, as I do with the boundary between art and craft.

I love the kind of arguments one can make in interpreting something! How's that for a lesson in analytical art history.

A note on the choice of colours I made: since the origins of this form were originally found to have been carved into rocks, as paleolithic petroglyphs, I decided to try to give this page a stone coloured treatment. I find it curious that so often stone is imaged as being solid grey, while in reality, it is often multi-coloured, with particles of many hues, including a preponderance of pink, especially in granite. So pinkish it is...

I wanted to hint at the carved nature of petroglyphs, so the delineation of the labyrinth is mostly closer to the surface of the fabric. The metallic pathway would be the curved, and somewhat polished surfaces that occur as the carving is being done, and the random other beads are the unaltered surfaces.



I think for February I'll choose a somewhat simpler meditative subject...

Happy New Year and a new year of BJP

With this new BJP I have chosen to run with a theme this year. With all the nasty things that happened last year, I've decided to focus on a meditative theme, often with a historical basis.

For January, I have been working on what could be the origin of the labyrinth form, based on concentric circles. While I'm not quite finished I thought I should post something, so the first photo shows the frame I made for the ultrasuede square I'm working on.



This I where I've managed to get to, but I have an exam today, and a couple of big assignments for tomorrow, so it will have to wait another couple of days...



Wow, it photographs better than I thought! I was afraid that the actual labyrinth form would get lost, but it's easier to see on the screen than in my hands! Cool...